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 | My Favourite Sound Disco Blogspot: Now On Podomatic |
| http://myfavouritesound.podomatic.com/JAZZYPIER ♪http://www.blogger.com/profile/01733807446465080446noreply@blogger.com0 | |
| My Favourite Sound Disco Blogspot: Now On Podomatic |
  http://myfavouritesound.podomatic.com/  | |
| a monsieurwilly world: To your attention ! |
| A big part of the download links are dead. I'll not updating the blog in a particular order. If you want download more a track than another write it to me and I will download them progressively as your requests come and try to make an update in the following of your different requests. Use the comments section of this post to your request. Don't forget that those tracks are only to promote my world as a DJ. Songs posted on this blog are only a way to make you to discover underground unknown black music without promotion and it's a tribute to history. The most part of those tracks are out of the business. If you're an artist or copyright holder and if you want to remove something because you don't want a free promo of your forget tracks, send an e-mail. If you're happy that we don't forget you, send an e-mail too ! Last thing, a thank you is free like what you gonna download ! mixsuperclasse@yahoo.fr Peace and havin' fun ! | |
| Diddy Wah: Crap Shootin’ Sinner |
 mp3: 'Cile Turner - Crap Shootin' Sinner Crap Shootin’ Sinner is a gospel-style ditty about a gambler trying to get into heaven. So far so normal. It’s sung by ‘Cile Turner, who was born Lucile Turner in Virginia in 1895. Apart from today selection being an entertaining tune, what’s interesting is that Turner was a white woman who from a young age embraced African-American folk songs and spirituals. This was an against the grain cultural choice that, at the time, would have challenged many in the deep South on both racial and gender grounds. Turner performed all over the US in the 1920s, 30s and 40s and made her first recording in ’47. Crap Shootin' Sinner was recorded and released in ‘59. It’s included on ‘T-Bird Party! - A Swangin' Slew Of Greasy R&B’, a great compilation CD called that I have in a box somewhere in Melbourne. On this website, you can read a bit more about ‘Cile Turner, sample some of her recordings and buy a double CD that has all of her commercial recordings on it. | |
| My Favourite Sound Disco Blogspot: My Favourite Sound©™ Web Radio |
| MFS©™ Radio Web Radio
Jazz-Soul-Funk-Disco-NuDisco-House-Latin
Blaxploitation-Philly Sound-Electro-Hip Hop
Jazzsoul-Jazzfunk-Reggae-Rare Grooves
NewWave-ChillOut-Pop-Indie-Dance-DJs-Edits
24hs a day for 7 days a week of non-stop music!
Free Web Radio Channel - The right place for good music!
We program music on FM radio stations since 1977
MFSRadio Web Radio & Podcasts by | |
| My Favourite Sound Disco Blogspot: My Favourite Sound©™ Web Radio |
| MFS©™ Radio Web Radio
Jazz-Soul-Funk-Disco-NuDisco-House-Latin
Blaxploitation-Philly Sound-Electro-Hip Hop
Jazzsoul-Jazzfunk-Reggae-Rare Grooves
NewWave-ChillOut-Pop-Indie-Dance-DJs-Edits
24hs a day for 7 days a week of non-stop music!
Free Web Radio Channel - The right place for good music!
We program music on FM radio stations since 1977
MFSRadio Web Radio & Podcasts by | |
| My Favourite Sound Disco Blogspot: MFSRadio Presents: Music De Wolfe Collection (The Definitive) by Funkyman |
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MFSRadio Presents:
Music De Wolfe Collection
(The Definitive)
by Funkyman
Tracklisting:
01 - Harlem Globetrotters
02 - Action Drummer
03 - Megaton
04 - Funky Spider | |
| My Favourite Sound Disco Blogspot: MFSRadio Presents: Music De Wolfe Collection (The Definitive) by Funkyman |
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MFSRadio Presents:
Music De Wolfe Collection
(The Definitive)
by Funkyman
Tracklisting:
01 - Harlem Globetrotters
02 - Action Drummer
03 - Megaton
04 - Funky Spider | |
| musicometro: Dois novos vídeos dos Queens of the Stone Age |
Os Queens of the Stone Age (QOTSA), que têm o novo álbum “… Like Clockwork” na calha, divulgaram consecutivamente dois (!) excelentes (bizarros, violentos, inquietantes…) novos vídeos oficiais para as canções “Keep Your Eyes Peeled” e “If I Had A Tail”. Ambas as produções contam com o espantoso artwork de Boneface que é animado pelo soberbo trabalho de Liam Brazier, também responsáveis pelo teaser de “Kalopsia” (onde participa Trent Reznor dos Nine Inch Nails & How To Destroy Angels) e também pelo anterior videoclip para o single “I Appear Missing”. Assistam a todos estes vídeos mais abaixo enquanto aguardamos todos pelo lançamento do longa-duração “… Like Clockwork” dos QOTSA que está marcado para o dia 3 de Junho na Europa com distribuição da Matador Records e que conta com as participações especiais de Mark Lanegan, Nick Olivieri, Dave Grohl, Elton John (!!) e Jake Shears dos Scissor Sisters (!!!), isto para além do acima referido Trent Reznor. | |
| Beat Electric: we're gonna win |
 Hi-Five - We Came To Play.mp3 | |
| Beat Electric: we're gonna win |
Hi-Five - We Came To Play.mp3 | |
| My Favourite Sound Disco Blogspot: MFSRadio Presents: So Damn Funky |
| MFSRadio Presents:
So Damn Funky
Tracklisting:
01 Hot Chocolate [US] - So Damn Funny
02 Mammatapee - Don't Bite The Hand (That Feeds You)
03 Kilo - You, You, You
04 Mascara - Golden Years
05 Ultrafunk - Boogie Joe the Grinder
06 Jimmy Ross - First True Love Affair (A Larry Levan Mix)
07 Harvey Mason - We Can Start Tonight
08 Machine - Is It Love
09 Isley Jasper Isley - Liberation
10 | |
| Diddy Wah: Heavy Sugar with Gaz Mayall - May 24th |
 I’m super excited to announce that legendary DJ Gaz Mayall will join Fritz and I at our next Heavy Sugar club night. Gaz’s Rockin Blues is London's longest running one-nighter club. It’s been going since 1980! I’ve always had a rollicking time there, dancing the night away to incredible tunes every time. I can’t wait to hear what heat Gaz brings for Heavy Sugar. Friday May 24th is the date we’ll be back at Dalston’s funnest late night party spot, The Alibi. It's an ideal way to start a long weekend in London. Come early to avoid queuing and be ready for an incendiary mix of original R&B and early rock’n’roll. Also, it's a clever idea to let us know you’re coming so that we can prep the door girls to treat you and your friends like the kings and queens of Kingsland Road that you are. More details can be found on the Facebook event page. Don't miss this one. I'll see you on the dancefloor! | |
| Disco Vinyl: Works For Me |
| musicometro: Disclosure ao vivo nos Maida Vale Studios |
Os Disclosure estiveram nos míticos estúdios da BBC em Maida Vale a gravar ao vivo a Disclosure in Session onde desvendaram uma novidade com o título “F For You” que constará do alinhamento do seu álbum de estreia “Settle”. Para além dessa nova faixa, os irmãos Lawrence também interpretaram o single “You & Me” com a colaboração de Eliza Doolittle e ainda uma versão do clássico house “You Used to Love Me” de Ralphi Rosario, com a participação especial nas vocalizações de Natalie Duncan. Escutem a seguir essas três pistas, uma cortesia do programa do radialista Zane Lowe na… Adivinharam, BBC Radio. Os Disclosure vão actuar no Palco Clubbing do Festival Optimus Alive 13! a 12 de Julho, dia onde também estão previstos os concertos de Jessie Ware, AlunaGeorge, Gold Panda, Mosca e Dusky entre outros. | |
| musicometro: Novo single “You Took Your Time” dos Mount Kimbie |
Hoje temos para escuta o novo single dos Mount Kimbie intitulado “You Took Your Time”, mais um excelente avanço para o muito antecipado álbum “Cold Springs Fault Less Youth”. Nesta faixa em particular destacamos a participação do wunderkind King Krule. O álbum “Cold Springs Fault Less Youth” estará à venda a partir do dia 27 de Maio através da Warp Records (WARPLP237). Aproveitem ainda para recordar os anteriores “Blood And Form” e, especialmente, “Made To Stray”, neste caso ilsutrado pelo vídeo oficial realizado por Leif Podhajsky. | |
| Italo Deviance: MUST HAVE: ACID ARAB COLLECTIONS EP01 |
 I already have featured Acid Arab these last months for the Sheik Nobi track in November 2012, the amazing remix of Marie Madeleine in February 2013 and their warm up mix at Moune. I'm glad to present today the Acid Arab collections EP01 that will be released soon in vinyl and digital on the Versatile Records label. Carl Craig, Seth Troxler, James Holden, Optimo, Prins Thomas and more already love it.  Acid Arab is a duet from Paris whose goal is to mix all kind of Eastern music (North Africa, Lebanon, Egypt, Turkey or… Mumbai) with electronic sounds, from pioneering acid house to today’s powerful techno. Guido Minisky and Hervé Carvalho, both djs for many years and residents of infamous Parisian club Chez Moune, have fallen in love with this music after a trip to Tunisia with Dj Gilb’R. They’ve managed to convince a lot of producers to come along with them on this fantastic voyage and create a track for their ‘Acid Arab Collections‘, which are naturally released by Gilb’R’s label, Versatile Records. | |
| Italo Deviance: MUST HAVE: ACID ARAB COLLECTIONS EP01 |
I already have featured Acid Arab these last months for the Sheik Nobi track in November 2012, the amazing remix of Marie Madeleine in February 2013 and their warm up mix at Moune. I'm glad to present today the Acid Arab collections EP01 that will be released soon in vinyl and digital on the Versatile Records label. Carl Craig, Seth Troxler, James Holden, Optimo, Prins Thomas and more already love it. Acid Arab is a duet from Paris whose goal is to mix all kind of Eastern music (North Africa, Lebanon, Egypt, Turkey or… Mumbai) with electronic sounds, from pioneering acid house to today’s powerful techno. Guido Minisky and Hervé Carvalho, both djs for many years and residents of infamous Parisian club Chez Moune, have fallen in love with this music after a trip to Tunisia with Dj Gilb’R. They’ve managed to convince a lot of producers to come along with them on this fantastic voyage and create a track for their ‘Acid Arab Collections‘, which are naturally released by Gilb’R’s label, Versatile Records. | |
| My Favourite Sound Disco Blogspot: Record Of The Week: Dr. Drummer - Discotheque |
| Dr. Drummer
Discotheque
From ''Nu Disco''
PINO Music
764010 6553692
28 September, 2012
Disco/Nu-Disco
http://www.junodownload.com/products/nu-disco/2032880-02
Note:
(Demo Short Clips - not downloadables)
These demo files are in a low bitrate only for promotion purpouse. If any owner of the copyright want to remove these demo files please send a mail to myfavouritesound@ | |
| musicometro: Escutem “Sacrifice” dos BICEP & Simian Mobile Disco |
Os duo electrónico de Belfast BICEP (Andrew Ferguson & Matthew McBriar) associou-se a um outro duo do género mas oriundo de Londres Simian Mobile Disco (Jas Shaw & James Ford) para a concepção de uma faixa intitulada “Sacrifice” (e não se assustem porque não se trata de nenhuma versão daquela balada manhosa com o mesmo título da autoria do Elton John). Esta novidade techno/house, com uns gloriosos (quase) nove minutos de duração, pode e deve ser escutada de seguida em stream por todos os fãs dos BICEP e/ou dos Simian Mobile Disco, mas também por todos os melómanos e adeptos da electrónica em geral. É que afinal de contas, não é todos os dias que este tipo de colaborações “abençoadas” acontecem. “Sacrifice” estará à venda numa edição limitada em vinil no formato de 12″ a partir do dia 10 de Junho com a etiqueta da Delicacies, uma editora que foi fundada pelos Simian Mobile Disco. Simian Mobile Disco: Facebook | Twitter | |
| Diddy Wah: Atomic Adams |
 mp3: Faye Adams - Hurts Me To My Heart Wow, what a strong, powerful voice Faye Adams has. No wonder that around the time of this recording she was known as Atomic Adams. Released in 1954, Hurts Me To My Heart was the third and final in string of #1 R&B hits for Adams. That run started with Shake A Hand, which, through its use in the moving and poetic Killer Of Sheep film, is the song that introduced me to Adams' immense talent. Hurts Me To My Heart was written by the fruitful songwriting partnership of Rose Marie McCoy and Charles Singleton. | |
| Leftside Wobble: James Johnston - Consumer EP |
Morning all. Something super deep to ease you into your day. James Johnston yet again defying categorisation with a track that reminds of the the sort of stuff Ian O'Brien & Russ Gabriel used to put out. Jazz tinged, Detroit influenced deep house music of a very high quality. Very limited numbers on this vinyl only release so head on over to Juno - http://www.juno.co.uk/ppps/products/483710-01.htm | |
| musicometro: Beats In Space Mix de Four Tet |
Four Tet a.k.a. Kieran Hebden é um artista que demonstra uma qualidade inquestionável quer nas edições em nome próprio quer nas remisturas e mixes da sua autoria e, mais uma vez, o “Beats In Space Mix” não foge à regra. E ainda bem. Num mix com escuta e descarga gratuita elaborado em exclusivo para o programa BIS Radio Show difundido pela emissora norte-americana WNYU, foram incluídas faixas e remixes de James Holden, Jai Paul, Prince, Joy Orbison & Boddika, Jon Hopkins, Koreless e do próprio Four Tet. Quase que se torna escusado afirmá-lo, mas aqui vai: este é um mix de download absolutamente imperdível. Obtenham-no o mais rápidamente possível pois nunca se sabe até quando estará disponível. Alinhamento: 1. James Holden – Gone Feral (Synth Tool) - Border Community | |
| musicometro: Remix de Daphni para “Renata” de James Holden |
Depois de termos avançado para escuta, através do Facebook e do Twitter, o excelente novo single “Renata” do produtor britânico James Holden, eis que somos confrontados com a não menos recomendável remistura da autoria de Daphni, também conhecido por Caribou, alter-egos do canadiano (e nossa referência) Dan Snaith. Escutem-na mais abaixo assim como ao single original que servem de aperitivo para o lançamento do aguardado futuro álbum “The Inheritors” de James Holden que terá etiqueta da Border Community, editora por si fundada. De referir que a edição limitada em vinil com 10″ do single “Renata” será acompanhado, para além da remistura de Daphni, de uma outra remix da autoria de Steve Moore. Se puderem adquiri-lo, não hesitem nem por um segundo. “The appetite-whetting arpeggio extravaganza.” | |
| Funk My Soul: Joe Tex – 1966 – The Love You Save |
| Rip and research by Mr.Moo Review by Soulmakossa Posting and additional info’s by Nikos Joe Tex was at the top of his game as the down-home philosopher of Southern soul when he cut “The Love You Save”, one of three (!) albums Tex would release in 1966. Tex’s warm and passionate tenor is in superb form on these tunes, and his songs, which offer plenty of advice on keeping your relationship in good shape (” “Build Your Love (On a Solid Foundation)”), keeping up with the Joneses (“Funny Bone”), understanding what you want out of life (” “I’m a Man”), and various other topics of importance, are solid, funny, and bear the sing of truth. Buddy Killen‘s production is the perfect marriage of deep South vibe and East coast polish, and all 12 songs hit the bullseye (including an idiosyncratic but beautifully executed cover of “Heartbreak Hotel.” Great stuff that … | |
| musicometro: Sob escuta: “Random Access Memories”, dos Daft Punk, finalmente!! |
Hoje é o dia pelo qual tanto esperávamos! Claro está, que nós não poderíamos deixar de vos fornecer o acesso a esta novidade. Para isso, acedam à página dos Daft Punk no iTunes, aqui. Em baixo, o referido teaser… | |
| Another Night on Earth: Press Play #70 - Mr Mendel |
 Since the seasons on both sides of the equator are about to head off in different directions, i thought it apt to drop two Press Play mixes at once, one for each hemisphere if you like. This one here from Dutch Funk, Soul & Disco DJ Mr Mendel is all about ghetto blasters and summer grooving, while the one in the post below from Andy Pye traverses more insular wintery sounds. Mr Mendel, for those that dont already know, is a man to keep an eye on. Not that he's new on the scene; Mendel hosts top class nights I Love Vinyl and The Daisy Age in his hometown Amsterdam and he's been digging hard since he made the cross over to more varied sounds from his Hip Hop early days. One need only to listen to any one of the mixes he has up on his soundcloud page to discover the depth of his skills at both digging and spinning. One might argue that Mendel is amongst the next generation of a lineage that runs through Rahaan, Kon & Amir, Rich Medina, Sadar Bahar and even our friend Marcel Vogel. With some edits of his own beginning to surface, it's pretty clear the guy has a little bit of what we love written all over his future. As always i feel blessed to have dj's like Mr Mendel drop in on a.n.o.e. Thank you so much for this truly feel good session Mendel. Get on it people... press press play #70 - mr mendel - sunshine boogie Track List: (to follow soon) | |
| Another Night on Earth: Press Play #70 - Mr Mendel |
| Since the seasons on both sides of the equator are about to head off in different directions, i thought it apt to drop two Press Play mixes at once, one for each hemisphere if you like. This one here from Dutch Funk, Soul & Disco DJ Mr Mendel is all about ghetto blasters and summer grooving, while the one in the post below from Andy Pye traverses more insular wintery sounds. Mr Mendel, for those that dont already know, is a man to keep an eye on. Not that he's new on the scene; Mendel hosts top class nights I Love Vinyl and The Daisy Age in his hometown Amsterdam and he's been digging hard since he made the cross over to more varied sounds from his Hip Hop early days. One need only to listen to any one of the mixes he has up on his soundcloud page to discover the depth of his skills at both digging and spinning. One might argue that Mendel is amongst the next generation of a lineage that runs through Rahaan, Kon & Amir, Rich Medina, Sadar Bahar and even our friend Marcel Vogel. With some edits of his own beginning to surface, it's pretty clear the guy has a little bit of what we love written all over his future. As always i feel blessed to have dj's like Mr Mendel drop in on a.n.o.e. Thank you so much for this truly feel good session Mendel. Get on it people... press press play #70 - mr mendel - sunshine boogie Track List: (to follow soon) | |
| Disco Safari: THE BLACK DOG - Tranklements - Dust Science Recordings |
.jpg "Discosafari - THE BLACK DOG - Tranklements - Dust Science Recordings") Nuovo album, il decimo dal 1993, per l'ormai consolidato trio inglese The Black Dog uscito per l'etichetta Dust Science Recordings, label di proprietà di due dei tre membri del progetto. Si intitola "Tranklements". Come loro stessi descrivono, i The Black Dog hanno creato un prodotto esule da inquadramenti e generalizzazioni stilistiche contenente una collezione di vari "oggetti" (noi le chiamiamo "tracce") da poter utilizzare anche singolarmente, strettamente derivanti dal loro background, il loro pensiero ed il loro modo di concepire la musica elettronica, dalla IDM alle techno passando per ambientazioni deep e cosmiche. Le prime tre tracce di questo "Tranklements" non sembrano assolutamente essere una serie di tracce "divise", appaiono piuttosto come un unico grande volo verso la galassia infinita della musica, un'unica suite in crescente sviluppo dopo la quale ecco prendere forma i singoli "oggetti": stili differenti (parte anche la cassa dritta) tra techno, ambient, break e deep. Per legare i vari pezzi dell'album e cercare di dargli un filo conduttore, i The Black Dog hanno prodotto delle micro tracce chiamate "Bolt" che utilizzano come ponte tra una pezzo e l'altro. Personalmente avrei continuato sulla scia della prima parte dell'album che, come ripeto, sembra un unico pezzo pronto a portarti via nel fantastico mondo della musica elettronica e delle sue sfaccettature oniriche. Nonostante questo, tracce come "Pray Crash II" sono un piacere da ascoltare e da suonare e sono sicuro che anche il pubblico oltre la consolle saprà apprezzare questi "oggetti" che potremmo sicuramente definire da "ballo". In sunto, i The Black Dog hanno tirato fuori l'ennesimo album interessante, non noioso, valido sia per l'ascolto solitario che per il dancefloor, talmente valido che sembra più una playlist d'artisti vari piuttosto che l'ultimo prodotto di un progetto leggendario della scena ambient-techno mad in UK. Good job guys! Alessandro Gambo Tracklist: 1 - Alien Boys 2 - Bolt No. 6 3 - Atavistic Resurgence 4 - Bolt 11b 3 5 - Cult Mentality 6 - Hymn For SoYo 7 - Bolt 3533f 8 - Pray Crash I 9 - Pray Crash II 10 - Bolt 57w 11 - Internal Collapse 12 - First Cut 13 - Bolt 9>3 14 - Death Bingo 15 - Mind Object 16 - Spatchka  | |
| Disco Safari: THE BLACK DOG - Tranklements - Dust Science Recordings |
Nuovo album, il decimo dal 1993, per l'ormai consolidato trio inglese The Black Dog uscito per l'etichetta Dust Science Recordings, label di proprietà di due dei tre membri del progetto. Si intitola "Tranklements". Come loro stessi descrivono, i The Black Dog hanno creato un prodotto esule da inquadramenti e generalizzazioni stilistiche contenente una collezione di vari "oggetti" (noi le chiamiamo "tracce") da poter utilizzare anche singolarmente, strettamente derivanti dal loro background, il loro pensiero ed il loro modo di concepire la musica elettronica, dalla IDM alle techno passando per ambientazioni deep e cosmiche. Le prime tre tracce di questo "Tranklements" non sembrano assolutamente essere una serie di tracce "divise", appaiono piuttosto come un unico grande volo verso la galassia infinita della musica, un'unica suite in crescente sviluppo dopo la quale ecco prendere forma i singoli "oggetti": stili differenti (parte anche la cassa dritta) tra techno, ambient, break e deep. Per legare i vari pezzi dell'album e cercare di dargli un filo conduttore, i The Black Dog hanno prodotto delle micro tracce chiamate "Bolt" che utilizzano come ponte tra una pezzo e l'altro. Personalmente avrei continuato sulla scia della prima parte dell'album che, come ripeto, sembra un unico pezzo pronto a portarti via nel fantastico mondo della musica elettronica e delle sue sfaccettature oniriche. Nonostante questo, tracce come "Pray Crash II" sono un piacere da ascoltare e da suonare e sono sicuro che anche il pubblico oltre la consolle saprà apprezzare questi "oggetti" che potremmo sicuramente definire da "ballo". In sunto, i The Black Dog hanno tirato fuori l'ennesimo album interessante, non noioso, valido sia per l'ascolto solitario che per il dancefloor, talmente valido che sembra più una playlist d'artisti vari piuttosto che l'ultimo prodotto di un progetto leggendario della scena ambient-techno mad in UK. Good job guys! Alessandro Gambo Tracklist: 1 - Alien Boys 2 - Bolt No. 6 3 - Atavistic Resurgence 4 - Bolt 11b 3 5 - Cult Mentality 6 - Hymn For SoYo 7 - Bolt 3533f 8 - Pray Crash I 9 - Pray Crash II 10 - Bolt 57w 11 - Internal Collapse 12 - First Cut 13 - Bolt 9>3 14 - Death Bingo 15 - Mind Object 16 - Spatchka | |
| Disco Safari: THE BLACK DOG - Tranklements - Dust Science Recordings |
Nuovo album, il decimo dal 1993, per l'ormai consolidato trio inglese The Black Dog uscito per l'etichetta Dust Science Recordings, label di proprietà di due dei tre membri del progetto. Si intitola "Tranklements". Come loro stessi descrivono, i The Black Dog hanno creato un prodotto esule da inquadramenti e generalizzazioni stilistiche contenente una collezione di vari "oggetti" (noi le chiamiamo "tracce") da poter utilizzare anche singolarmente, strettamente derivanti dal loro background, il loro pensiero ed il loro modo di concepire la musica elettronica, dalla IDM alle techno passando per ambientazioni deep e cosmiche. Le prime tre tracce di questo "Tranklements" non sembrano assolutamente essere una serie di tracce "divise", appaiono piuttosto come un unico grande volo verso la galassia infinita della musica, un'unica suite in crescente sviluppo dopo la quale ecco prendere forma i singoli "oggetti": stili differenti (parte anche la cassa dritta) tra techno, ambient, break e deep. Per legare i vari pezzi dell'album e cercare di dargli un filo conduttore, i The Black Dog hanno prodotto delle micro tracce chiamate "Bolt" che utilizzano come ponte tra una pezzo e l'altro. Personalmente avrei continuato sulla scia della prima parte dell'album che, come ripeto, sembra un unico pezzo pronto a portarti via nel fantastico mondo della musica elettronica e delle sue sfaccettature oniriche. Nonostante questo, tracce come "Pray Crash II" sono un piacere da ascoltare e da suonare e sono sicuro che anche il pubblico oltre la consolle saprà apprezzare questi "oggetti" che potremmo sicuramente definire da "ballo". In sunto, i The Black Dog hanno tirato fuori l'ennesimo album interessante, non noioso, valido sia per l'ascolto solitario che per il dancefloor, talmente valido che sembra più una playlist d'artisti vari piuttosto che l'ultimo prodotto di un progetto leggendario della scena ambient-techno mad in UK. Good job guys! Alessandro Gambo Tracklist: 1 - Alien Boys 2 - Bolt No. 6 3 - Atavistic Resurgence 4 - Bolt 11b 3 5 - Cult Mentality 6 - Hymn For SoYo 7 - Bolt 3533f 8 - Pray Crash I 9 - Pray Crash II 10 - Bolt 57w 11 - Internal Collapse 12 - First Cut 13 - Bolt 9>3 14 - Death Bingo 15 - Mind Object 16 - Spatchka | |
| Diddy Wah: Ram-Bunk-Shush |
 mp3: Bill Doggett - Ram-Bunk-Shush Bill Doggett was pianist and organist who worked with Louis Jordan, Ella Fitzgerald, Wynonie Harris and Johnny Otis among others. He also spent some time in the band of Lucky Millinder, the guy who wrote and released Ram-Bunk-Shush first in 1952. Doggett's version came out in '57 and, thanks largely to Clifford Scott's honking lead sax, made both the pop and R&B charts, peaking at #10 on the R&B. Ram-Bunk-Shush was also released by surf group The Ventures in '61. Louis Jordan & The Tympany Five played a sizzling version of this instrumental jiver for television in '66. There's a great clip of that performance here. | |
| Diddy Wah: London gigs this weekend |
  I'm going to be treated to a couple of nights of top-shelf garage rock'n'roll this coming weekend. On Friday 17th May, yours truly will be joining DJ Phil Istine behind the decks at Deviation Street, a night held every month at the The Alleycat in Soho. We'll be spinning records between and after The Ladykillers, Thee MVPs, Limozine and Kepler Rising. Then, the very next night, I'm heading to the Shacklewell Arms in Dalston for the Dirty Water Club. I'll be rocking out to the Hollywood Sinners, The Ricky C Quartet, Plastic Pals and ANO before serving up a feast of 45s with Dirty PJ till 3am. So, if you're in the vicinity, join me at one or both of these tremendously rockin' gigs, you won't regret it. | |
| Killer Groove: Killer Groove Music Library Show 44 from 2nd May 2013 LIVE on J.F.S.R 10.00pm-Midnight UK Time |
| Visit the Killer Groove Music Library LIVE shows here Hi all, Been some time since I managed to get to do some Blogging and there is plenty to be done believe me. I have started with a recent show from the Thursday Sessions on Jazz, Funk, Soul, Radio (www.jfsr.co.uk)(Click on the link above), and hopefully will add the most recent show shortly. Of course the Library itself has swelled in terms of LP's and 7's that should be finding their way onto the blog at some time so watch out for that. Big appreciation to all those that have visited the this blog and taken the time to hit the "Follow" button. Until then enjoy some killer grooves. | |
| Disco Vinyl: Send my Heart by The Adventures |
Send my Heart is a favorite sweet new wave song. I believe it deserves attention and it is in .wav so I am going to put it out there for you. send my heart It was actually their debut single back in 1984.
Songs like this remind me so much of the dorms back when I was at American University. And styling my hair very floppy a la flock of seagulls or robert smith.
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| Disco Vinyl: Send my Heart by The Adventures |
Send my Heart is a favorite sweet new wave song. I believe it deserves attention and it is in .wav so I am going to put it out there for you. send my heart It was actually their debut single back in 1984.
Songs like this remind me so much of the dorms back when I was at American University. And styling my hair very floppy a la flock of seagulls or robert smith.
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| Disco Safari: STEFFI - Panorama Bar 05 - Ostgut Ton |
 Andrea Thelonious | |
| Voodoo Funk: Digging in Ghana |
I've been here for only a week now and already found some pretty good stuff... I published a series of full page records wanted ads in all the national papers and am getting calls from all over the country. This is going to be a busy month.    | |
| Voodoo Funk: Digging in Ghana |
| I've been here for only a week now and already found some pretty good stuff... I published a series of full page records wanted ads in all the national papers and am getting calls from all over the country. This is going to be a busy month. | |
| Diddy Wah: Fruit Boots |
 mp3: Red Prysock - Fruit Boots Recorded in 1956 in New York, today's selection features the jiving instrumental sounds of the Red Prysock Nonet. That's tenor saxophonist Prysock and eight others, including bassist Herb Gordy who gets credit for writing the wonderfully named Fruit Boots. | |
| Disco Safari: CONTAKT - Nobody Else / Tessera 04 - Icee Hot |
 Perché perdere tempo? Parliamo di musica! Ascoltando i due “original” dell’A-side si coglie subito una sensazione d’ipnosi, suscitata dalla ripetizione in sequenza degli elementi costitutivi (basso, synth, cassa e piatto in levare) che nel loro insieme vanno a creare un ritmo quasi ossessivo. I termini “ipnotico” e “ossessivo” fanno inevitabilmente pensare a precise istanze stilistiche in ambito techno: non è un caso che, sia in “Nobody Else” (A1) che in “Tessera 04” (A2), l'influenza musico-estetica che Detroit ha avuto sull’artista (Contakt nasce a Lansing, capitale dello stato del Michigan) si noti in modo persino smaccato. Accanto al gusto “detroitiano” della ripetizione troviamo però un Contakt che ascolta anche molta house classica, retaggio evidenziabile specialmente nella melodia da big room di “Nobody Else”. Tessera 04 (A2), d'altro canto, si presenta quasi come una traccia da ascolto o sicuramente non da pista, meditativa, con una batteria meno invasiva e un synth che la accompagna dall’inizio alla fine, senza interruzioni di sorta. Il remix di Ghosts On Tape (B1), ormai residente a casa Icee Hot (aveva già stampato un suo ep - IH001- e un suo remix per Grown Folk - IH003), si presenta come una rielaborazione più fresh, più palleggiante e meno “mistica” di "Nobody Else". Se l’originale inoltre presenta il loop di un mono-chord che non cambia tonalità, nel remix troviamo variazioni che rendono il lavoro meno ossessivo, come l’accennata progressione della linea di accordi principale che rende il remix ancora più house e meno ipnotico. A concludere l’ep ecco il tocco nervoso e aggressivo della leggenda Robert Hood, firma di prestigio del remix di "Tessera 04". Rielaborando questa traccia, Robert from Detroit offre una versione veramente degna del fondatore dell’etichetta M-Plant: cassa molto punch, piatti più incalzanti e movimentati ad accompagnare una synth-line meno “cosmica”e riverberata, ma sicuramente più dura e secca. Insomma, si conclude in grande stile, con il remix techno di uno dei maestri del genere, un ep davvero davvero notevole. Godetevelo! Riccardo Fedele A1 – Nobody Else
A2 – Tessera 04
B1 – Nobody Else (Ghost On Tapes Remix)
B2 – Tessera 04 (Robert Hood Remix) | |
| Disco Safari: CONTAKT - Nobody Else / Tessera 04 - Icee Hot |
Perché perdere tempo? Parliamo di musica! Ascoltando i due “original” dell’A-side si coglie subito una sensazione d’ipnosi, suscitata dalla ripetizione in sequenza degli elementi costitutivi (basso, synth, cassa e piatto in levare) che nel loro insieme vanno a creare un ritmo quasi ossessivo. I termini “ipnotico” e “ossessivo” fanno inevitabilmente pensare a precise istanze stilistiche in ambito techno: non è un caso che, sia in “Nobody Else” (A1) che in “Tessera 04” (A2), l'influenza musico-estetica che Detroit ha avuto sull’artista (Contakt nasce a Lansing, capitale dello stato del Michigan) si noti in modo persino smaccato. Accanto al gusto “detroitiano” della ripetizione troviamo però un Contakt che ascolta anche molta house classica, retaggio evidenziabile specialmente nella melodia da big room di “Nobody Else”. Tessera 04 (A2), d'altro canto, si presenta quasi come una traccia da ascolto o sicuramente non da pista, meditativa, con una batteria meno invasiva e un synth che la accompagna dall’inizio alla fine, senza interruzioni di sorta. Il remix di Ghosts On Tape (B1), ormai residente a casa Icee Hot (aveva già stampato un suo ep - IH001- e un suo remix per Grown Folk - IH003), si presenta come una rielaborazione più fresh, più palleggiante e meno “mistica” di "Nobody Else". Se l’originale inoltre presenta il loop di un mono-chord che non cambia tonalità, nel remix troviamo variazioni che rendono il lavoro meno ossessivo, come l’accennata progressione della linea di accordi principale che rende il remix ancora più house e meno ipnotico. A concludere l’ep ecco il tocco nervoso e aggressivo della leggenda Robert Hood, firma di prestigio del remix di "Tessera 04". Rielaborando questa traccia, Robert from Detroit offre una versione veramente degna del fondatore dell’etichetta M-Plant: cassa molto punch, piatti più incalzanti e movimentati ad accompagnare una synth-line meno “cosmica”e riverberata, ma sicuramente più dura e secca. Insomma, si conclude in grande stile, con il remix techno di uno dei maestri del genere, un ep davvero davvero notevole. Godetevelo! Riccardo Fedele A1 – Nobody Else
A2 – Tessera 04
B1 – Nobody Else (Ghost On Tapes Remix)
B2 – Tessera 04 (Robert Hood Remix) | |
| My Favourite Sound Disco Blogspot: MFSRadio Presents: It's Friday Night |
| MFSRadio Presents:
It's Friday Night
Tracklisting:
01 Fat Larry's Band - Act Like You Know
02 Uptown Funk Empire - Keep On Givin' It Up
03 The Mary Jane Girls - Boys
04 The Reddings - It's Friday Night
05 Blackwell - Boogie Down And Mess Around
06 Loose Ends - Hangin' On A String
07 Stroke - You Are The One (Tony Humphries Mix)
08 Fonzi Thornton - I Work For A Livin'
09 Active Force - | |
| Disco Safari: RECONDITE / JULIEN H MULDER - Shift 003 - Midnight Shift |
 Ritmi diversi ed energia allo stato puro sono le caratteristiche fondamentali che la Midnight Shift, etichetta basata a Singapore, ha sempre sviluppato come concept del proprio suono, una vera e propria rivolta che ha portato alla luce artisti affermati ed emergenti sul palcoscenico musicale globale . Questa terza uscita possiede queste caratteristiche e gode di un tocco di leggerezza e lucidità che servirà bene i differenti stati d'animo dei DJ; Un Ep di 4 tracce servite su un piatto caldo da Recondite, già noto per le sue release su Hotflush Recordings e Plangent Records, e Julien H Mulder produttore ambient di Stoccolma. Un percorso lunatico e malinconico da assaporare a volume spiegato come una vela che insegue i luccicanti e profondi raggi di un sole calante. Tracklist: A1 - Recondite - Borderline A2 - Recondite - Stomper B1 - Julien H Mulder - Won't Say Nothing B2 - Julien H Mulder - Old Rutins | |
| Plaid Music: warmer climates |
I discovered this gem today thanks to a mysterious friend on twitter. Hope there was a copy of this magic song out there in the world. Makes my heart feel warmer and lighter. | |
| Plaid Music: warmer climates |
I discovered this gem today thanks to a mysterious friend on twitter. Hope there was a copy of this magic song out there in the world. Makes my heart feel warmer and lighter. | |
| Plaid Music: warmer climates |
I discovered this gem today thanks to a mysterious friend on twitter. Hope there was a copy of this magic song out there in the world. Makes my heart feel warmer and lighter. | |
| Plaid Music: warmer climates |
I discovered this gem today thanks to a mysterious friend on twitter. Hope there was a copy of this magic song out there in the world. Makes my heart feel warmer and lighter. | |
| Diddy Wah: Little Darlin' I Miss You So |
  Lillian Offitt - Miss You So The Gladiolas - Little Darlin' These two 45s already featured on my most recent Utopia mix, but I thought I'd offer them here in single-file mp3 format as well. And, since they were both released on Nashville's Excello Records, it's neat to post them as a pair. Miss You So, from 1957, was Lillian Offitt's first hit. It's a beguiling tune with solid blues guitar licks and fantastically eery vocals. Offitt moved to Chicago the following year and found more success singing with Earl Hooker. But it didn't last long, so she retired from music to start a family. The original pressing of Little Darlin' by The Gladiolas was on the same orange label as Miss You So. My arrow-label copy is the second issue. The label describes it as Calypso, but Little Darlin' has a decidedly clave rhythm. Judging by the catalogue numbers, Little Darlin' was released by Excello just three records prior to Miss You So. I wrote a bit about it when I posted The Diamonds version last year. The most notable point being that it was written and sung by Maurice Williams, before he and The Zodiacs had a huge smash with Stay. | |
| Diddy Wah: The Delcos of Arabia |
 The Delcos - Arabia Here's a slightly exotic sounding tune from a group who named themselves after a battery. The Delcos met as high school students in Indiana and even though Arabia is a relatively obscure record, it was their biggest success. An early recording of it was released in 1962 on Ebony Records and started selling well. Too well for that new label, so a deal was struck with Monument Records. The Delcos travelled to Nashville to re-record Arabia with the Boots Randolph's band featuring Bill Justis. That version was released in 1963 on the Monument subsidiary, Showcase. Although the original Arabia became a local hit, The Delcos never made-it on a national level. If it's any consolation to them, and it probably isn't, Arabia became a big spin on the Stafford Northern Soul scene some 20 years later. Also, according to my ears, it's possible they inspired another magnificent party record from '63, The Ideals' The Gorilla. | |
| Diddy Wah: Louie, Louie '13 |
 Jack Eely - Louie, Louie '66 Happy International Louie Louie Day! I'm celebrating by posting this cracking version of Louie Louie by the guy who's vocals helped cement its place in musical history. In 1963 when The Kingsmen recorded the best known version of this party rocker, Jack Ely was the singer. At the time they had no idea it was going to take off the way it did, so Ely left the group to go to college. When their Louie Louie was all over the radio, he tried to rejoin The Kingsmen, but the other members weren't having it. So he formed his own group and toured as Jack Ely and The Kingsmen until the inevitable lawyer's letter arrived. His group then became Jack Ely and The Courtmen and produced this single. No prizes for guessing when it was released. I don't know where the Eely spelling came from, but I'm going with it. International Louie Louie Day is held on the birthday of Richard Berry, who wrote the song. If you're in London, you can mark the occasion this year with some like-minded folk and top vinyl DJs at The Haggerston pub. It's free to get in and sure to be a total blast. All the details are on the Facebook event page. See you there! | |
| Diddy Wah: Can I get through tonight? |
 Little Milton - Long Distance Operator Singer, songwriter and guitarist "Little" Milton Campbell recorded for Sun, Chess and Stax. That's quite a CV! Rufus Thomas also achieved this feat, but how many others? Long Distance Operator, however, was released on his own St. Louis based Bobbin label in 1959. It’s a new breed blues bopper with tasty horns and plenty of swing. | |
| Diddy Wah: Invasion |
 Bobby December - Invasion Regular Diddy Wah visitors will know, I’ve got a lot of love for obscure instrumentals like this guitar driven beast from Bobby December and the Famous Renegades. It seems Invasion was released around 1959 and that’s almost all I know about it. The writing credit goes to Bob McElroy, who would be my lead suspect in the search for Bobby December. The Orchestra label operated out of the San Francisco Bay Area and was headed by Wayne Farlow. The main claim to fame of Orchestra Records is to have released some early singles from Tom and John Fogerty several years before they formed Creedence Clearwater Revival. | |
| Diddy Wah: The DC5 Move On |
 The Dave Clark Five - Move On Anyone up for a tough instrumental from a band hailing from Tottenham in North London? Sometimes known as the DC5, The Dave Clark Five are not to be confused with The Motor City Five. The MC5 were garage rock revolutionaries from Detroit, The DC5 were a pop rock group who invaded the US in the wake of The Beatles. The invasion must have gone well since their stateside popularity far eclipsed that for them in their native land. Although today's selection isn't indicative of their sound, there exist at least two other tasty DC5 instrumentals well worth checking out; On The Move and Chaquita. Move On is apparently from 1964, even though the label clearly says 1965. And, in case you were wondering, Dave Clark was the drummer. | |
| Diddy Wah: Cliff's Dynamite |
 Cliff Richard - Dynamite Unless you're a British women in your 70s, Cliff Richard probably isn't someone you consider to be a cool rock'n'roller. But this b-side from 1959, recorded at Abbey Road Studios, proves otherwise. Ably backed by The Shadows, Sir Cliff brings it strong on Dynamite, an explosive rockabilly number written by Ian Samwell. I might play this one tonight when I spin records with DJ Andy Smith for his Jam Up Twist night. Now, the thing about Andy is, he hates Cliff Richard. I think it stems from his mother overplaying Cliff and The Shadows during Andy’s youth. I find this situation ironic since in 1998, for me and many others, Andy’s own The Document CD rescued one Tom Jones from the pinnacles of un-hipness by including his blasting Looking Out My Window in the mix. Like Jones, Richard’s got some tunage and deserves a chance to be hip with the kids once again. | |
| Diddy Wah: Beatle walking with Detroit Dave and his Peppers |
 Dave Hamilton And His Peppers - Beatle Walk Here's a cool but obscure recording from Detroit guitarist and vibes player, Dave Hamilton. Beatle Walk was released in 1964 and would have been named in order to cash in on the US invasion The Beatles were staging at the time. It's a sleazy guitar and sax laden instrumental shaker, just how I like 'em. Hamilton worked as a session guitarist with Motown, playing on some of their early recordings. Beatle Walk was released on Fortune Records, a completely different, but also truly great, Detroit label. Because of Hamilton's connection to the Funk Brothers and other associated Motor City musicians, it's tantalising to speculate on who might have made up his Peppers. But I won't. As always, if you can shine any light on this, do get in touch. | |
| Diddy Wah: Uncle Stan, The Hip Hit Record Man |
 Lightnin' Hopkins - Uncle Stan, The Hip Hit Record Man The Uncle Stan referred to in this unusual song title is Stan Lewis. Lewis started his business life with a few jukeboxes in Shreveport, Louisiana. He then opened a record store, moved into producing records, including Dale Hawkins' Susie Q, and founded the record labels Jewel, Paula and Ronn. Lightnin' Hopkins got on well with Lewis and made many recordings with him. Uncle Stan, The Hip Hit Record Man was released in 1965. It's juke joint dance music, a bluesy guitar instrumental with plenty of rhythm. | |
| Diddy Wah: Mama Get Your Hammer |
 mp3: Bobby Peterson Quintet - Mama Get Your Hammer Here’s a real wild rocker from pianist Bobby Peterson. Mama Get Your Hammer is the flip of One Day. Released in 1960, it was the quintet's fifth single on V-Tone (you may recall that last year I posted their first, The Hunch). Mama get your hammer, with the refrain, a fly's on the baby's head, is a pretty twisted lyric. I would like to think that this is a playful answer record to a song with the line “mama get your hammer, a fly’s on papa’s head”, but I can’t find any solid evidence of that. Either way, today’s selection is a mighty fine slice of frantic R&B from a bunch of guys who knew what they were doing. | |
| Disco Safari: NEUROTIC DRUM BAND – Cardboard Wings EP – You Are Hear Records |
 Qualcuno diceva “L’amore non ha distanze”. Interpretando questa frase romantica in chiave musicale, You Are Hear Records ne è la prova tangibile, anzi udibile. Cosa, se non la musica, può spingere infatti 3 ragazzi ad allontanarsi da casa (che sia San Francisco, Seoul o Reykjavik poco importa) trasferendosi a New York, incontrarsi e creare una label digi-analogica a tiratura limitata affidando le cover all’artista minimalista pop newyorkese Aakash Nihalani? E questo spirito sentimentale, questo amore artistico profuso nell’etichetta si reincarna nella prima release, dal titolo “Cardboard Wings” (letteralmente “ali di cartone”), firmata Neurotic Drum Band, duo residente nella Grande Mela formato da John Selwey, il quale può vantare collaborazioni con mostri sacri della scena come gli storici Deep Dish e Carl Cox per citarne due, al fianco di Elliot Taub (noto ai più con l’alias di Ulysses). Costruzione dell'Ep? Semplice, un original mix omonimo dell'intera release e ben 5 reinterpretazioni, ciascuno delle quali unica ed originale per stile e sonorità. Partiamo dall'original: non poteva esser scelto titolo migliore per un disco così tanto ben studiato e affascinante dalle melodie soavi parallele ad altrettanto scure ed aggressive. Una pioggia di pad viaggia a braccetto con l’indovinata combinazione di basso e synth acido, il tutto steso su una costante linea crescente di bpm la quale crea un insolito ed estroso sviluppo della traccia che risulta così iniziare a ritmi downtempo per poi trasformarsi lentamente in un’ottima techno dalle sonorità ideali a rappresentare un magico e profondo viaggio su due leggere ma tenaci ali di cartone. Adultnapper, Dirt Crew, Filipsson e Lindblad, Sean Danke ed Escape Art presentano cinque notevoli remix che toccano punti diversi dell’universo della musica elettronica andando dalla pura reinterpretazione cruda ed analogica arrivando fino ad una tech house molto attuale pensata per il dancefloor, passando per sonorità deep quasi lounge senza farsi mancare però un’interessante remix dai sapori tribal un po’ dimenticati negli ultimi anni. Release, in conclusione, dall’essenza armoniosa, in piena sintonia con la suggestiva storia che sta dietro alla stessa You Are Hear, neonata ma promettente label che, è il caso di dirlo, è partita decisamente con il piede giusto. Matteo Barile Tracklist: 01 Cardboard Wings 02 Cardboard Wings (Adultnapper Remix) 03 Cardboard Wings (Filipsson and Linblad Remix) 04 Cardboard Wings (Dirt Crew Rework) 05 Cardboard Wings (Sean Danke Remix) 06 Cardboard Wings (Escape Art Remix) | |
| Disco Safari: NEUROTIC DRUM BAND – Cardboard Wings EP – You Are Hear Records |
Qualcuno diceva “L’amore non ha distanze”. Interpretando questa frase romantica in chiave musicale, You Are Hear Records ne è la prova tangibile, anzi udibile. Cosa, se non la musica, può spingere infatti 3 ragazzi ad allontanarsi da casa (che sia San Francisco, Seoul o Reykjavik poco importa) trasferendosi a New York, incontrarsi e creare una label digi-analogica a tiratura limitata affidando le cover all’artista minimalista pop newyorkese Aakash Nihalani? E questo spirito sentimentale, questo amore artistico profuso nell’etichetta si reincarna nella prima release, dal titolo “Cardboard Wings” (letteralmente “ali di cartone”), firmata Neurotic Drum Band, duo residente nella Grande Mela formato da John Selwey, il quale può vantare collaborazioni con mostri sacri della scena come gli storici Deep Dish e Carl Cox per citarne due, al fianco di Elliot Taub (noto ai più con l’alias di Ulysses). Costruzione dell'Ep? Semplice, un original mix omonimo dell'intera release e ben 5 reinterpretazioni, ciascuno delle quali unica ed originale per stile e sonorità. Partiamo dall'original: non poteva esser scelto titolo migliore per un disco così tanto ben studiato e affascinante dalle melodie soavi parallele ad altrettanto scure ed aggressive. Una pioggia di pad viaggia a braccetto con l’indovinata combinazione di basso e synth acido, il tutto steso su una costante linea crescente di bpm la quale crea un insolito ed estroso sviluppo della traccia che risulta così iniziare a ritmi downtempo per poi trasformarsi lentamente in un’ottima techno dalle sonorità ideali a rappresentare un magico e profondo viaggio su due leggere ma tenaci ali di cartone. Adultnapper, Dirt Crew, Filipsson e Lindblad, Sean Danke ed Escape Art presentano cinque notevoli remix che toccano punti diversi dell’universo della musica elettronica andando dalla pura reinterpretazione cruda ed analogica arrivando fino ad una tech house molto attuale pensata per il dancefloor, passando per sonorità deep quasi lounge senza farsi mancare però un’interessante remix dai sapori tribal un po’ dimenticati negli ultimi anni. Release, in conclusione, dall’essenza armoniosa, in piena sintonia con la suggestiva storia che sta dietro alla stessa You Are Hear, neonata ma promettente label che, è il caso di dirlo, è partita decisamente con il piede giusto. Matteo Barile Tracklist: 01 Cardboard Wings 02 Cardboard Wings (Adultnapper Remix) 03 Cardboard Wings (Filipsson and Linblad Remix) 04 Cardboard Wings (Dirt Crew Rework) 05 Cardboard Wings (Sean Danke Remix) 06 Cardboard Wings (Escape Art Remix) | |
| My Favourite Sound Disco Blogspot: Record Of The Week: P-Funk All Stars - Copy Cat |
| P-Funk All Stars - Copy Cat
Producer – Bootsy Collins, Gary Shider, George Clinton
Time: 5:08
LP: ''Urban Dancefloor Guerillas'', 1983
Label: CBS – PZ 39168
Format: Vinyl, LP, Album
Country: US
Released: 1983
Note:
(Demo Short Clips - not downloadables)
These demo files are in a low bitrate only for promotion purpouse. If any owner of the copyright want to remove these | |
| musicometro: Nova versão dos Drop Out Orchestra para “Get Lucky” dos Daft Punk |
Os suecos Drop Out Orchestra são os autores de um mui recomendável retratamento (a.k.a. edit) do último (e grande) single “Get Lucky” dos Daft Punk, o mais do que provável hino do próximo Verão. Mais do que uma remistura, os Drop Out Orchestra tiveram a sensatez de conceberem uma extended version (ainda mais) disco de “Get Lucky” como que prolongando aquela que já era uma estupenda canção e que, com certeza, agradará de sobremaneira a todos os fãs. E convém não esquecer que “Random Access Memories”, o muito aguardado novo álbum do robótico duo francês, estará à venda daqui a poucos dias, mais concretamente a partir de 20 de Maio através da Columbia Records. | |
| Leftside Wobble: Esther Philips - All The Way Down (Leftside Wobble KGS Rework) |
One of the first edits I put out on vinyl is being given a digital release by Kojak Giant Sounds in the coming weeks so I took the chance to reinterpret my original edit and give it a dirty, bumping new coat of paint. Completely restructured the percussion and fuzzed up the bass to create a version that works just as well on house floors as well as funk fuelled disco ones. Definitely on tonights set list at Eclectic Discotech in Brighton. | |
| Italo Deviance: I.D. PASSWORD PROTECTED #65 |
  CABALLERO "Gitana / Blue Sun" ACE Records (1983) The Password to UNRAR the file is already posted on the Facebook's Group (No more passwords via email. Sorry) | |
| Disco Vinyl: Tom Hooker Speaks about Den Harrow |
| Disco Vinyl: Tom Hooker Speaks about Den Harrow |
